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To see the King. The video cuts from the Hawaiian excerpt back to the homey interview setting. tippy('#footnote_plugin_tooltip_1524_1_35', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_35').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The National Quartet Convention, southern gospel's annual flagship event that at its height in the mid-1990s drew crowds approaching 25,000 for four or five nights in a row, no longer attracts audiences or interest to warrant multiyear leases with the Kentucky Fair and Expo Center in Louisville. Mud, set in the Arkansas Mississippi River Delta, powerfully evokes the fluidity of class, ethnicity, and geography as defining features of identity in a region where the flux of life is so heavily dependent on, shaped by, and intertwined with the flow of the river. The precipitous decline in "Christian/Gospel" has devastated most sectors of the market. . [4] Judy Martin Hess (b. Gaither uses a repertoire of leading questions, strategic glosses of the singers' responses, folksy asides, and improvised amplifications to cultivate the image of The Martins as hill-country kids made good as gospel celebrities. For more on southern gospel's shift within Christian entertainment from a "dominant" to a "residual" status, see Harrison, "Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. tippy('#footnote_plugin_tooltip_1524_1_46', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_46').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The paradox of The Martins's Homecoming reputation as masters of classic gospel hymnody and their much wider stylistic reach and renown before and beyond the Homecoming stage suggests that there is more to their appeal to southern gospel audiences than can be accounted for by their music. Any Arkansas setting becomes synonymous with the Ozark hillbilly. Not least of all, The Martins's success has relied on the popularity within southern gospel of what I have referred to as backwoods virtuosiup-from-nothing children of the white US South able to create and perform distinctive arrangements of gospel songs and hymns whose lyrics are, as most southern gospel is, suffused with first-person struggles of ordinary Christians, striving after, struggling for, and faithfully pressing on toward greater assurance of belief and affirmative experience of the divine in their lives.48On backwoods virtuosi, see Harrison, "Grace to Catch a Falling Soul." tippy('#footnote_plugin_tooltip_1524_1_3', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_3').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The seven-shape notational system (and culture) of songwriting, singing, and music education that took root in the southern uplands in the late 1800s has heavily influenced the music of southern gospel and its values.4Here, following Loyal Jones, "Southern Uplands" designates the regions and people of trans-Appalachia and extends eastward into the Piedmont and westward to the Ozarks. For an overview of southern gospel's history and development within the wider domain of American gospel music, see Shearon et al., "Gospel Music," and Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990). He just finished getting a tech degree in musical engineering. More at IMDbPro Contact Info: View agent, publicist, legal on IMDbPro. "45Harrison, Then Sings My Soul, 3. This dynamic was captured in the 2014 Grammys. Mae is her 18-year-old daughter. She has two children. When and where did baseball player Bob Joyce die? Do you know any background info about this artist? Judy Martin is married to Jake Hess, Jr., the son of the legendary southern gospel lead singer Jake Hess. tippy('#footnote_plugin_tooltip_1524_1_7', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_7').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); "southern gospel" brings with it additional layers of interpretive complication regarding race, class, and geography. "30Mark Noll, The Scandal of the Evangelical Mind (Grand Rapids: Eerdmans, 1994), 67, 211. Randall Balmer, My Eyes of Have Seen the Glory: A Journey Into the Evangelical Subculture in America (New York: Oxford University Press, 2006); and Donald Dayton and Robert Johnson, eds., The Variety of Evangelicalism, (Knoxville: University of Tennessee Press, 2001). Gaither Gospel Series DVD cover. Moreton, Bethany. : Gaither Music, 2011. But I'll say this: I've never been more honored to sing about Jesus and for Jesus. Many southern gospel performers and groups incorporate covers of traditional black gospel songs and spirituals into their repertoire. Music publishers of seven-shape notational gospel music and the convention singing tradition to which these publishers catered were familiar with the term for much of the twentieth century. Goff, On backwoods virtuosi, see Harrison, "Grace to Catch a Falling Soul. For more on cultural-geographic conceptualizations of place, see John Agnew, The United States in the World Economy: A Regional Geography (London: Cambridge University Press, 1987), and Cresswell, Place. Business as Mission . When she came out, Mark grabbed her arm and said, "You have to hear these kids sing!" Unlike "northern urban" gospel (a phrase with no currency outside academe), it is the preferred way to self-identify within the culture and the most widely recognized way to describe the music to outsiders. Durham: Duke University Press, 2003. Joyce Martin is a well known gospel singer. This model "avoided conventional church approaches, using . Just as significantly, while From Kentucky With Love, or From the Smoky Mountains With Love, would probably be received with the same warmth and enthusiasm that greeted The Martins's music, the precise structure of a Kentucky imaginary or a Smoky Mountain imaginary would be located in the meaning-making of those places. Home News Random Article Install Wikiwand Send a suggestion Uninstall Wikiwand Our magic isn't perfect Lord, is this my heart. While growing up poor in rural Arkansas, the three often practiced singing together, and released their self-titled debut album in 1994 on Chapel Records. Help; Joyce Martin-Sanders View source History tippy('#footnote_plugin_tooltip_1524_1_43', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_43').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The Martins first appeared in 1993 on an early Gaither Homecoming video, Precious Memories. This period was followed by the mobilization of right-leaning Protestants (and many conservative Catholics) into a political base for the Republican Party in the Reagan Era and a power base for evangelical leaders (including Jerry Falwell's Moral Majority, Pat Robertson'sand later Ralph Reed'sChristian Coalition, and, more recently, Donald Wildmon's American Family Association, and Tony Perkins's Family Research Council); and the not-entirely unrelated realignments within conservative and fundamentalist Protestantism wrought by the rise of non-denominational evangelical mega-churches and the Tea Party. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music," Studies in Popular Culture 20, no. With respect to The Martins, the same music on an album titled From Hyde Park With Love, or even From Hilton Head With Love, would likely not be considered southern gospel by most of its intended audiences. During the last three decades of the twentieth century, these conservative evangelicals and fundamentalists ceased perceiving themselves in the Nixonian paradigm as a silent majority existing voicelessly and invisibly within mainstream US politics and culture. After that we did a few Gaither dates, then [we] were signed to Spring Hill Records [a recording company in which Gaither Music had substantial holdings at the time]. tippy('#footnote_plugin_tooltip_1524_1_31', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_31').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained.32For more on The Martins's biography, see the following section and note 41. tippy('#footnote_plugin_tooltip_1524_1_32', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_32').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Their success in the late 1980s and early 1990s coincided with the resurgence of cultural separatism that has come to dominate southern gospel discourse.33This element of cultural separatism has reemerged in the past generation within southern gospel. The popularity of Homecoming derives from its emergence duringand its response tothe declension crisis in southern gospel. April 13, 2013, accessed October 15, 2013, http://bber.unm.edu/. North American gospel history and the cultural realities of contemporary southern gospel defy further generalization. See also Other Works | Publicity Listings | Official Sites View agent, publicist, legal and company contact details on IMDbPro Getting Started | Contributor Zone Contribute to This Page Edit page Personal Details Though the publication of "He Leadeth Me" predates the popularization of the term of "gospel hymns" (which is most commonly sourced to Philip P. Bliss's, While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. This transformation left untouched only the Ozarks and Ouachita to the north and west. "39Jennifer Lena, Banding Together: How Communities Create Genres in Popular Music (Princeton: Princeton University Press, 2012), 2. tippy('#footnote_plugin_tooltip_1524_1_39', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_39').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); My approach attends to southern gospel as a musical style,40Lower compositional sophistication, more uneven production quality, and rougher cuts by commercial standardsall defining features of the southern gospel sound of the past twenty yearscan function for many evangelicals and fundamentalists as indices of a more real music and catalysts for a more authentic experience of the religious self. See Harrison. tippy('#footnote_plugin_tooltip_1524_1_4', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_4').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This musical culture subsequently spread across trans-Appalachia, and then later throughout the Midwest, Southwest, and, after the Great Migration of white southerners in the postWorld War II era, into other parts of the United States influenced by southern migration. At the end of the nineteenth century and into the first three decades of the twentieth century, southern white gospel was dominated by convention singings that relied on the regular release of small octavo shape-note songbooks such as Crowning Day. Joyce: So we went into the bathroom. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. My sources include celebrity interviews of performers, DVD bonus features, album covers, and online press coverage. Joyce Rogers. Jonathan Martin lives in West Des Moines, Iowa with his wife, and their six children, including twin boys, one of which has cerebral palsy. Joyce E Martin 1946 Born c. 1946 Last Known Residence Texas Summary Joyce E Martin of Texas was born c. 1946. DVD. See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. Her story of brokenness and restoration encourages thousands on social media and from the stage. Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr, and their four children. "43Harrison, Then Sings My Soul, 124. See "Music Album Sales in the United States in 2012, by Genre,"Statistica.com, 2012, accessed January 28, 2014, http://www.statista.com/statistics/188910/us-music-album-sales-by-genre-2010/; Natalie Gillespie, "Gospel Music Sees Record-Setting RIAA Numbers," CCM Update, March 29, 1999; and Lindy Warren, "Top 15 Impact-Makers in 1997," CCM Update, December 22, 1997. John F. Mooney, review of The Best of The Martins, directed by Bill Gaither, Amazon.com, July 29, 2013, accessed October 15, 2013, http://www.amazon.com/review/R399G8O3TFUQHH/. What is the birth name of Marty Joyce? Since at least the late 1970s, southern gospel's fortunes, measured by market standards, have trended downward, a decline attributed to broader trends within commercial Christian music entertainment and more broadly within fundamentalist and evangelical Protestantism.As the fortunes of southern gospel have declined, those of Contemporary Christian Music (CCM) have risen. In the final decades of the twentieth century, these disagreements opened up a fault line between southern gospel and CCM, with each camp pursuing styles of music that implied divergent theories of musical evangelism. Judy Martin Hess (b. "62 Bethany Moreton, To Serve God and Wal-Mart (Cambridge: Harvard University Press, 2009), 5. tippy('#footnote_plugin_tooltip_1524_1_62', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_62').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The gestalt of Arkansas rusticity associated with The Martins serves to understand their sophisticated harmonies. Taylor, Charles. Just as I Am: 30 Favorite Old Time Hymns, was nominated for a 1998 Grammy in the same category. See Robert K. Whalen, "Premillennialism,". From Arkansas With Love demonstrates southern gospel's influence. More conventional black gospel singers (such as Angie Primm and the late Jessy Dixon, both of whom have appeared on Gaither Homecoming videos) and black gospel choirs are generally held in high regard in southern gospel. The Martins. For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Then Sings My Soul, 96103. For an analysis of the cultural and religious tensions between southern gospel traditionalists, who founded the GMA, and the CCM fans and performers whose tastes have dominated the GMA for nearly forty years, see Harrison, Then Sings My Soul, 9196. See Shearon et al., "Gospel Music," and Heilbut, The Gospel Sound: Good News in Bad Times (Milwaukee, WI: Hal Leonard, 2001 [1979]) and Harrison, "Why Southern Gospel Music Matters," Religion and American Culture 18, no. Southern gospel has found itself in alliances with black gospel traditions and the black church. Averyfineline.com, September 24, 2012, accessed October 1, 2013, http://averyfineline.com/2012/09/24/slouching-toward-pigeon-forge/. There is also the sense that The Martins's appeal reaches across the spectrum of religious beliefs and musical tastes that form the conservative end of the white Christian music entertainment market. Religion Dispatches. Many fans and most observers interpreted her actions and words as a rebuke of a mass wedding of gay and straight couples performed during the broadcast. Here the Arkansas imaginary is in operation. For a recording of the set piece associated with Gerald Wolfe's time with the Dumplin' Valley Boys, see This is Your Life George Younce, directed by Charlie Waller (n.d., Louisville, KY: National Quartet Convention), DVD. (See Harrison, Then Sings My Soul, 182183). See Harrison, Then Sings My Soul, 75180. Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, "Martins Storm Back onto the Scene," sgnscoops.com, December 17, 2013 [accessed January 31, 2014)]. Nor is its cultural function exclusively or even primarily of scholarly interest for what it may tell us about southern whiteness in an ever more racially diverse and pluralistic world. In the broadest sense, The Martins here evince how "the interaction of lyrics, music, and religious experience in southern gospel functions as a way for evangelicals to cultivate the social tools and emotional intelligence necessary for modern living." The Martins's music signals that what makes this trio a southern gospel group is its commitment to a worldview and way of life that is place-based, class-bound, and consistent with values and assumptions that prevail in white, fundamentalist evangelicalism. His book Then Sings My Soul: The Culture of Southern Gospel Music was published by the University of Illinois Press in 2012. Many fans and most observers interpreted her actions and words as a rebuke of a mass wedding of gay and straight couples performed during the broadcast. Except [we didn't] know where to go, all the rooms were locked, too much going on in the auditorium, so Mark suggests we go into the bathroom. . tippy('#footnote_plugin_tooltip_1524_1_24', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_24').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If much of CCM musically enciphers the aspirations of evangelicalism's dominant demographicsuburban, white, seeker-centered25"Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. Her reply offers quick-witted banter and comic reinforcement of the widespread assumptionabetted by the Gaither Music Companythat The Martins's southern gospel is an artistically and spiritually serious form of sacred song from people who are proud of their pietistic primitivism. tippy('#footnote_plugin_tooltip_1524_1_25', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_25').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); conservatives primarily in denominationally unaffiliated megachurchessouthern gospel has come to voice the revanchist critique of non-denominational evangelicalism offered by old-line denominational fundamentalists (namely, Southern Baptists, General Baptists, Free Will Baptists, and Independent Baptists; Nazarenes; Church of God; Church of Christ; Assemblies of God; and the more fundamentalist strains of Methodism).26These denominations were most frequently represented in original ethnographic research I have conducted into the contemporary culture of southern gospel. Joyce Martin Sanders Weight Loss In essence, we are an agricultural area. This element of cultural separatism has reemerged in the past generation within southern gospel. Directed by Debra Granik. Everyone sits on risers around a piano and sings: old songs, new songs, gospel songs, hymns, inspirational ballads, spiritual anthems, praise and worship choruses, even a few secular tunes now and then (Bill Withers's "Lean on Me," or an arrangement of Barry Manilow's "One Voice"). Lord, is this my time. In short, whiteness remains strongly associated with southern gospel performance and fan culture.10Ibid., 203, especially note 53. tippy('#footnote_plugin_tooltip_1524_1_10', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_10').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Front cover of Crowning Day (Dayton, VA: Ruebush-Kieffer, 1900). Bill Gaither, Tallahassee, Florida, 2006. Again: Continuing the Debate between Donald Dayton and George Marsden," in The Continued Relevance of Wesleyan Theology: Essays in Honor of Laurence Wood, ed. tippy('#footnote_plugin_tooltip_1524_1_33', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_33').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Southern gospel product sales also experienced what now appears to be a last-gasp micro-surge of popularity, with market shares reaching an inflection point somewhere in the mid1990s, followed by a precipitous sales decline by as much as 90 percent in the decade between 2000 and 2010.34Goff's remains the most extensive and influential account of southern gospel's market decline. Arkansas/Arkansaw: How Bear Hunters, Hillbillies, and Good Ole Boys Defined a State. In the late 1980s and early 1990s, The Martins performed mostly in the southern half of the Mississippi Delta region and recorded self-financed albums. The Martins recorded five independent albums prior to their breakout. Premillenialists espouse a literalist interpretation of scripture that foresees the imminent return of Christ to earth. This essay is interested primarily with professional southern gospel, which descends from convention singing but has been distinct from it since the 1930s and 1940s. After Grant's divorce from Gary Chapman, her symbolic function in southern gospel expanded to include the corrupting effect of musical compromises on personal morality and the heternormative family.Southern gospel's disdain of CCM can come off as a kind of "Sister Bertha Better Than You" self-righteousness.27Here, I am borrowing an image first popularized by Ray Stevens in "Mississippi Squirrel Revival," on He Thinks He's Ray Stevens (Universal, 1987, MCAC-5517). Martin P. Joyce might be a juvenile justice worker in Youngstown, Ohio. Fox's work on rusticity and identity suggests that any crisis of authenticity in popular music from the South will register across a range of cultural texts and products. My reading sees race, racism, and a racialized concept of self and other in southern gospel as an important, not always dominant, factor in the emergence of "southern gospel" and the cultural function of the music. However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. tippy('#footnote_plugin_tooltip_1524_1_28', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_28').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Professional southern gospel emerged from a Reconstruction-era subculture of poor and working-class white southerners. In commercial Christian music, this transformation foregrounded oft-blurred distinctions between "evangelicals" and "fundamentalists." ", References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s.